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Aldo Leopold's A Sand County Almanac has enthralled generations of nature lovers and conservationists and is indeed revered by everyone seriously interested in protecting the natural world. Hailed for prose that is "full of beauty and vigor and bite" (The New York Times), it is perhaps the finest example of nature writing since Thoreau's Walden.
Now this classic work is available in a completely redesigned and lavishly illustrated gift edition, featuring over one hundred beautiful full-color pictures by Michael Sewell, one of the country's leading nature photographers. Sewell, whose work has graced the pages of Audubon and Sierra magazines, walked Leopold's property in Wisconsin and shot these photographs specifically for this edition, allowing readers to see Sand County as Leopold saw it. The resulting layout is spectacular. But the heart of the book remains Leopold's carefully rendered observations of nature. Here we follow Leopold throughout the year, from January to December, as he walks about the rural Wisconsin landscape, watching a woodcock dance skyward in golden afternoon light, or spying a rough-legged hawk dropping like a feathered bomb on its prey. And perhaps most important are Leopold's trenchant comments throughout the book on our abuse of the land and on what we must do to preserve this invaluable treasure. This edition also includes two of Leopold's most eloquent essays on conservation, "The Land Ethic" and "Marshland Elegy."
With this gift edition of A Sand County Almanac, a new generation of readers can walk beside one of America's most respected naturalists as he conveys the beauty of a marsh before sunrise or the wealth of history to be found in an ancient oak.
Published in 1949, shortly after the author's death, A Sand County Almanac is a classic of nature writing, widely cited as one of the most influential nature books ever published. Writing from the vantage of his summer shack along the banks of the Wisconsin River, Leopold mixes essay, polemic, and memoir in his book's pages. In one famous episode, he writes of killing a female wolf early in his career as a forest ranger, coming upon his victim just as she was dying, "in time to watch a fierce green fire dying in her eyes.... I was young then, and full of trigger-itch; I thought that because fewer wolves meant more deer, no wolves would mean hunters' paradise. But after seeing the green fire die, I sensed that neither the wolf nor the mountain agreed with such a view." Leopold's road-to-Damascus change of view would find its fruit some years later in his so-called land ethic, in which he held that nothing that disturbs the balance of nature is right. Much of Almanac elaborates on this basic premise, as well as on Leopold's view that it is something of a human duty to preserve as much wild land as possible, as a kind of bank for the biological future of all species. Beautifully written, quiet, and elegant, Leopold's book deserves continued study and discussion today. --Gregory McNamee